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One thing I really struggle with when submitting photos is selective focus/larger aperture/bokeh.  It seems as if I often see how the photos should be sharp everywhere, and a small enough aperture should be used to ensure that this is so, but there are times I think it adds to the photo.  For example, here is a shot I took this morning (not sure I would submit this, but it is a good example):

 

 p278973471-3.jpg

 

Would a photo like this likely be rejected based upon the selective focus?

 

I ask this today because I have encountered another image on Alamy that seems to have nothing in focus.  Truth is, I quite like the image, but it is not sharp; however, it doesn't seem to be intended to be that way.  I don't mind sharing the example, but I don't want to point out someone else's image if this is not appropriate to do.

 

Thanks in advance for helping me to understand.

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As peter says above, I would submit it on technical grounds thinking that it would pass QC. I've got many images with similar bokeh accepted.

 

Not sure about the saleability though.....only one way to find out if it will sell.

 

John.

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 It seems as if I often see how the photos should be sharp everywhere, and a small enough aperture should be used to ensure that this is so, 

 

Not sure where you see that, but it's simply not true. Very narrow, properly targetted plane of focus is fine . . . do a search for "selective focus" and wade through the over 270,000 images that show up.

 

 

Would a photo like this likely be rejected based upon the selective focus?

 

No photo is rejected purely because it incorporates selective focus.

 

It may be not sharp enough where it's supposed to be sharp, it may be the point of focus doesn't make sense, it may be too noisy, but "selective focus" in itself is not a reason for rejection.

 

dd

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I think selective focus and out of focus backgrounds are great when used correctly. For instance. One shot I seen was of a mans leg and clenched fist in focus and the out of focus woman crouched on the floor. Obviously highlighting abuse of some kind. I thought that was a very good use if it. I think it works well when both parts of the image are integral to the story of the image. Sometimes the OOF area can totally distract from the foreground subject because it's not really been through about as a part of the story of the image. 

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Not sure about the saleability though

 

I totally agree - didn't really take this one with the expectation that I would put it on Alamy, but it illustrated my point well.  I might still submit it if it is sharp upon closer scrutiny, but that wasn't the intent.

 

Thanks everyone for helping this thick-headed photog understand.  :)

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Submitting selective focus shots still gives me hives. I've had a couple fail due to disagreements over the main centre of focus. However, I don't think there would be any problem with the one you've posted. It would be wise not to take my word for it, though.

 

As far as saleability goes, the wooden triangle might make it suitable for a math book. Having said that, I've never managed to sell any images that illustrate geometric shapes.

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If in focus / sharp enough I would definitely upload the image - and having English as a foreign language I would love to keyword and describe it. Will need some creativity.  :)

For starters, I would put "right angled angle triangle" somewhere in the keywords.

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"right Isosceles", "isosceles" . . .

 

dd

 
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Still for starters: rectangular, close-up, wooden, beam, girder, strut, construction, solid, secure, clothes posts, clothesline, solidness, solidity, strength, stoutness, stout, robustness, sturdyness, etc. etc. etc.

 

+ metaphorical keywords

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