NYCat Posted April 20, 2018 Share Posted April 20, 2018 1 hour ago, andremichel said: I am asking so I can better appreciate what you are advising. Are you unable to illustrate what you say with one or two of your own images? I am not challenging anything of the sort. Honestly, I think if you look at his images you will see plenty of them on the first page. Paulette Link to comment Share on other sites More sharing options...
giphotostock Posted April 20, 2018 Share Posted April 20, 2018 9 hours ago, andremichel said: I am asking so I can better appreciate what you are advising. Are you unable to illustrate what you say with one or two of your own images? I am not challenging anything of the sort. It is certainly not my intention to attract attention to my humble images. I suggest a better way to appreciate what I am saying is to look up G's Creative Guides / Visual Trends. John Lund's blog is a fun read. GI Link to comment Share on other sites More sharing options...
giphotostock Posted April 20, 2018 Share Posted April 20, 2018 11 hours ago, geogphotos said: I mean I do understand it in theory but don't often see it being practiced by those who suggest it. Hiring models and locations and make-up artists and all that just seems like something for the top 0.01% of stock photographers. Ian, I certainly understand the desire to evaluate the validity of a message by looking at who the messenger is. I could point you to an image that sells 4 times a month for two years now (not microstock). No models, locations or make-up artists. I hope you'd understand why I won't. As to the message. I myself struggled initially with the concept of what is a high-production-value image. Even now I could not explain it in few sentences. Maybe I try some other time. The key is that the image should *look* expensive to produce (light, style, subject matter, access, etc). It is the difficult but doable to learn how to achieve that *look* without the actual expense. GI Link to comment Share on other sites More sharing options...
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