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fierelly

Hello! I love 35mm film photography

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I recently acquired a Contax RTS III in great condition and have been having a lot of fun.

Film photography is making a comeback (damned hipsters..) but I don't mind the current low-key and beautiful film photography world one bit.


Fan of Helen Levitt and Walker Evans.

Any 35mm photographers out there, I love learning about cameras. Please let me know what you've got and how it's been treating you!

 

Thank you,

Patrick

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Yes I started with 35mm on my very first camera in the 80's & they even accept film photograph scans on here which is great. (the only stock site that has so far) I have many film slides where you used a proejctor to view or small 35mm slide viewer. You need good quality scans though (not from those realy cheap scanners) But you can send them somewhere at reasonable cost to get scanned, negatives about £1 a strip slides are more. I do my own slide scans on an old Nikon scanner from 2003 which alamy accepted with no trouble as long as you crop the edges of the photo on a paint program. A good new scanner I believe is an Epson Perfection V550 which has adapters for 35mm or roll film. You need to remove dust & any sratches on the scanned photo though. but most good scanners including mine have digital ICE scratch dust removing  systems built in.

I'd love to use film again & when I told a friend that, they gave me a Minolta dymax SLR and some sony / Minolta lenses. I recently bought a sony NEX digital cam just so I could use these lenses (with an adapter)

I don't think I'd use slide film again though because its so expensive. neg film is much cheaper to both buy and have developed. I have many old negatives too but sadly don't have the 35mm neg adapter for my scanner are hard to get now and scanning prints will be nowhere near as good.. 

What might be a good idea is to carry a film camera if you go somewhere special so you can shoot film as well as digital & have cameras that take the same lenses so not so much to carry - and if the battery runs out on the digital.

Edited by dunstun365
more info

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On 25/11/2019 at 20:09, fierelly said:

recently acquired a Contax RTS III in great condition and have been having a lot of fun.

I think that you've encompassed it in that sentence, shooting film is about having fun and I'm glad that you are, and I'm also glad that film photography is gaining ground, particularly amongst the young, and amongst some of us older hipsters of course. It would be a lie to say that I shoot much film these days and, since this is a stock photography forum, unwise to think it is at all sensible to use it for serious stock photography, but to have fun - yes, of course.

 

One thing that you can't take away from film, you have an analogue original that you can hold in your hands, and if looked after reasonably carefully will survive for at least a hundred years, good luck with your terabytes of data in 20 years or so. Also film cameras are beautiful objects in their own right, your Contax is very high quality as are its lenses but you may find that now you just can't resist getting some more cameras here and there (Gear Acquisition Syndrome). Light seals usually need replacing and of course some repairs can be expensive but you may just be lucky, 

 

There is quite a lot on film / slide scanning on here because many have images taken in the pre-digital era and it is possible for these to sell, particularly if they have some period or historical merit.

 

Have fun.

Edited by Harry Harrison

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35 years of shooting film was enough. I have no nostalgia for traveling with 500 to 600 rolls of color film. I have maybe two dozen images at Alamy that were shot on film. 

 

 

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Here's an update from Speed Graphic in the UK, as they say, good news and bad:

Kodak: the good news and the bad

Good Ektachrome E100 is now available in 120 and 4x5" formats. We may see some 120 this month, but the sheet film will not arrive until early next year. Bad All other Kodak films will increase in price on January 1st. Worldwide demand has grossly outstripped Kodak's manufacturing capacity in Rochester, so to fund investment in new plant, prices are being increased. This will range from 10-15% on black and white and Gold, to 30% on Portra and Ektar and 43% on Color Plus 200. Kodak Alaris will also take the unprecedented step of cancelling all worldwide backorders on December 31st which means that if we don't have it now it will cost us and therefore you more in January. Because of this we will remove all unavailable films from our website now when stock is exhausted and will have to cancel any unfulfilled back orders. Here's a question: with Kodak Alaris trying to get rid of their film, paper and chemicals division, and Eastman Kodak making all these things for them, why doesn't Eastman Kodak buy back the business?

 

 

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The suggestion that transparencies will last 100 years is quite a push. Kodachrome was the most stable but has not been available for some years. If you do find a few rolls of any, leave them as a curious display. There is no way of having them processed now. I have an archive of 35mm and 6x7 transparencies which go back 50 years which have been looked after well. There are many different emulsions, some are lasting better than others. I too like the idea of something tangible and shuffling them about on a Lightbox is still a great way of editing. But I wouldn't want to go back there. But I still have a wonderful collection of Canon F1 and Pentax 67 bodies and many lenses. I get them out occasionally and make sure they are OK. 

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8 minutes ago, Robert M Estall said:

The suggestion that transparencies will last 100 years is quite a push

Yes, it was a generalisation, I was really thinking about B&W negatives, or prints like the ones of Naples that Geogphotos has found. I'm dubious of claims of longevity for 'giclee' prints and as I said, I very much doubt that digital archives will last very long in practical terms, to be passed on to one's descendants perhaps - will they pay the Cloud storage subscription, will they even know the password? It's not something that concerns me particularly, but it is a factor I think.

 

My wife's cousin found some B&W negatives taken by her late father when she was clearing out his garage, he had never mentioned them. She did a very decent job of scanning them and we all looked at them together on her tablet with my wife's mother, his sister. It was fascinating, a part of London in the late fifties and early sixties that has now been knocked down, so many memories came to light of the people portrayed, it was entrancing.

 

I was keen to see the negatives, "Oh I threw them away after I'd scanned them".

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If I had the space I would quite like to have a B&W darkroom again. I love my D750 but there is an unreplaceable magic in putting the sheet of paper into the tray. On the other hand I can't think of anything that would persuade me to shoot slides again.

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Would anyone like to buy a pile of lead-lined, x-ray proof, film-protection travel bags at a really good price? B)

 

My love affair with film is definitely over...

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Ask Chuck, the Original about getting film out of a war zone to an agency. 

 

By the way, who's the other Chuck, the not so original one? 

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I bought two rolls of Ilford just two days ago !

I use a Leica CL. Love it.

Also use a Hasselblad 500cm too (6x6).

 

What I like about film, is taking pictures and not knowing what I have captured until processed......about 6 months later !

 

Using my Hasselblad slows me down, be more selective.

I tend to take chances/be more creative when using film, I like the unexpected results.

It's fun yes, but also profitable. The good ones get scanned and end up on book covers !

 

I'm a big fan of Walker Evans too.

 

Alamy are fine with film scans.

 

Enjoy

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