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  1. A couple years ago, my daughter said she'd like to use one of my images for a print on her office wall. Of course, if it had been for her house I would have just given it to her. Since it was for the office and her employer was paying the bill, I suggested she go through Alamy with their connection to Art.com. Part of my motivation was to see how the process worked. It was a big disappointment. She worked with a person in Alamy's New York office who previously negotiated a great license fee for one of my images and about whom I have nothing but good things to say. In this case, however, he said that Alamy and the photographer would be commissioned on a print of up to 10x13 inches. For anything larger (roughly 2x3 feet in her case, framed) she should just buy a personal use license and deal directly with Art.com. So I got a few bucks on what turned out to be a sale of several hundred. Now, from my location in Europe, I go online to Art.com and see this message: So not only do we make next to nothing on a print sale, we only can make that on sales to American buyers. An old friend and sometime professional cohort of mine is spending his later years running an art gallery in which he does digital printing and framing. His opinion of FAA, Art.com, and similar POD outfits is that, for quality, "you might as well go to Walmart." That leaves me in a quandary as to where to turn for offering prints. I'm not ready to buy a printer and try it myself. Plus, I like the set-and-forget aspect that POD clearinghouses offer. This post is already too long, so I won't get into my experience with FAA and why I'd rather not deal with them. Anyone have suggestions as to the best way to offer prints?
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