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Everything posted by DDoug

  1. Coincidentally, I was thinking about this question when I saw your post. The following sale came through a couple of days ago: Country: Worldwide Usage: Personal use, Personal prints, cards and gifts. Non-commercial use only, not for resale. Media: Non-commercial, one time, personal/home use Start: 23 February 2021 End: 23 February 2026 $ 15.99 23 February 2021 alamy Commission 2E2RP88 43.50% 6.96 23 February 2021 Affiliate Commission 2E2RP88 13% 2.08 ...which leaves 6.95 for me, as opposed to eight bucks if there were no affiliate. I
  2. The X-T200 has copper wires and a Bayer sensor. https://www.dpreview.com/reviews/fujifilm-x-t200-review/2
  3. If you have Photoshop, LAB color separates the color information from the tonal information. Convert to LAB and select Lightness channel, which is the B&W element only. Copy that and paste in a new window and convert that back to RGB. (Tried to insert a sample from URL, but the system wouldn't accept it.)
  4. Who needs charges when you have a bogus exchange rate?
  5. Ditto the verticals, a holdover from when clients used to say "shoot more verticals" along with reminding me to have more shots with people in them. I don't carry the vertical battery grip much because of weight, but do like the vertical controls on occasion. On the other subject, I figure I'll finally start to become a European when I come to understand why a country the size of Sacramento County needs its own language. Till then I'll stick to the opinion that Lëtzebuergesch is more of a secret code than a language, something the Luxemburgers speak among themselves when they don't want to
  6. I also used a Fuji 645. A photographer I knew referred to it as my "point and shoot Hasselblad." I also used mostly 220 in that and a Pentax 645 I once had. Given that 35mm had the emulsion spread out over sprocket holes, leader and tail, with all of it packaged in a can within a can, it was quite wasteful. Using 220, which has a paper leader and tail and is packaged in foil, the cost worked about the same per frame as mounted 35mm for around 3X the film area.
  7. Not only for surfers (photo of Ansel Adams by Beaumont Newhall).
  8. This is a somewhat worrying question. Assuming the OP knows what he's looking at and doesn't see watermarks, it brings up the question whether that might be the case for others, i.e., many others. And yes, Nervous Nellie is something I've heard before.
  9. I check often and it's like the old saw about insanity being repeatedly doing the same thing and expecting a different result. So I checked yet again and — surprise, surprise — there was a sale! First one since early August, but it was for low $$$. Good old Alamy.
  10. 150lpi, or lines per inch, is the standard for sheet-fed lithographic printing. The pixels/dots per inch of a photograph should be twice the lines per inch on the press, hence 300dpi. Prepress technicians will often use a higher resolution for raster images of typography, but the 2-1 ratio holds for photos.
  11. I used to use one of those when I shot with a Pentax 645 and was able to shoot in winter, regardless of outside temps, by keeping it tucked inside my coat.
  12. Hi Regis, I'm just a couple hours up the road from Fuji's facility in Germany, but still it would be a real bother to have to send the camera to them to get the sensor cleaned. Perhaps it's worth it to hold out for the X100V. One of the things that appeals to me about the X100 series is the unlimited synch speeds, making fill flash in bright daylight a snap.
  13. Good point. Probably a good used X100F would be the most bang for the buck and the earlier models wouldn't work for me. As to pockets, I usually have a vest in summer and jacket with large pockets in winter, so my idea of "pocketable" is fairly lax.
  14. I've also been considering getting a small, inconspicuous camera at some point. My main kit consists of Fuji XT bodies, generally at least two since I don't change lenses in the field. One thing I don't want is to pack along a different charger and set of batteries that would largely defeat the “small and light” benefit. I have an X-A5 I could use for the purpose if I could stand arm's-length photography, squinting at an LCD in bright daylight. For a pocketable camera with an EVF, I think something in the X100 series would be ideal.
  15. Desaturating magenta gets rid of the purple look without changing the red leaf much. Sometimes in resurrecting old images, one of the channels, often red, will be very muddy. Replacing it with one of the other channels will clear up the image, but the colors will be off. If they are selectively corrected (such as for skin tones), then an unusable image becomes at least passable.
  16. As some contributors are East Asian, it's probably a good policy to skip from three to five.
  17. Five. I have a low CTR, so-so sales and don't upload as much as I should, so it's probably just the absence of QC fails.
  18. To solve a problem such as Steve described, or to change the overall appearance of an image, I sometimes use channel substitution. For example: select and copy the green channel; convert to LAB color; select Lightness channel and paste the green channel; convert back to RGB color. This yields an image which has the same colors as before, but with the tones such as they would be on a black and white photo shot with a green filter. Similarly, a sky can be made more dramatic by using the red channel. Sometimes this works well and sometimes it's awful. Fun to experiment wit
  19. I'm in much the same situation, glad to have something to keep me busy while sequestered but somewhat daunted by the scope of the project. As well as the time to digitize the images, there is the fact that a lot of them are in cardboard mounts with rounded corners and, upon examination, raggedy edges. So I'm removing those and snapping the film into plastic mounts, marking the dates with indelible pens. Such fiddly hand work was never my thing. Anyway, in the process it's being handed off to my son and between us we decided that the best solution for us is to put them on the Web se
  20. Two P.U. sales netting almost enough to pay my monthly Photoshop bill.
  21. I tried again and it sort of worked. I have a K&F Concept adapter for Minolta and it isn't bad. Not able to find one at the time I was looking for Nikon, I settled for a cheapie which goes by the brand name "Massa". It's wobbly and the f/stops come out on the bottom of the lens instead of the top for some reason. However, I can focus on the slide it takes up most of the frame so I'd have to say it works.
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